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At Home He Feels Like A Tourist

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  • Acting Anxiety Britain Capitalism Class Culture Empire England Film Gender Geo-Politics Masculinity Nationhood Political Economy Race Spectacle
    Stop Getting Bond Wrong 3

    Stop Getting Bond Wrong 3

    In which we examine how Bond’s actors responded to changing notions of masculinity and the world around them.

    July 19, 2026
  • Acting Anxiety Britain Capitalism Class Culture Empire England Film Gender Geo-Politics Masculinity Nationhood Political Economy Race Spectacle
    Stop Getting Bond Wrong 2

    Stop Getting Bond Wrong 2

    In which we examine Bond’s villains and what they represent.

    July 19, 2026
  • Acting Anxiety Britain Capitalism Class Culture Empire England Film Gender Geo-Politics Masculinity Nationhood Political Economy Race Spectacle
    Stop Getting Bond Wrong 1

    Stop Getting Bond Wrong 1

    In which we examine the Bond film franchise through our lens of political and cultural economy.

    July 19, 2026
  • Acting Culture Democracy Drama Early Modern History Masculinity Nationhood Performance Plays Political Economy Populism Power Problem Play Revenge Roman Empire Rome Shakespeare State Theatre Tragedy War
    Coriolanus: The Instrument and Its Negation

    Coriolanus: The Instrument and Its Negation

    Coriolanus: A deep dive into the making of a “hero”.

    July 15, 2026
  • AI Capitalism Commodity Commons Dollar Economics England Finance Government History Marx Money Nation State Political Economy Power Regulation Resistance Work
    PIG IRON: The Great Transformation

    PIG IRON: The Great Transformation

    In which we explain how Polanyi shows that the regulating mechanisms of capitalism are constructed not inevitable.

    July 13, 2026
  • Accounting Care Commons Community Economics Family Feminism Gender Inequality Political Economy Time Work
    The Production Boundary

    The Production Boundary

    Who does unwaged labour, who captures the value of it, how that arrangement was built and is maintained and what we might do about it.

    July 5, 2026
  • Britain Class Community Culture Democracy Drama Economics England Family Football Government History Institution Justice Musicals Nationhood Nottingham Place Plays Political Economy Politics Shakespeare Theatre TV
    James Graham: Right Up Our Street

    James Graham: Right Up Our Street

    The playwright James Graham. Serious political economy content delivered as popular entertainment.

    July 5, 2026
  • Accounting Borders Capitalism Climate Climate Change Community Contradiction Debt Democracy Economics Finance Government Institution Law Markets Nation State Nationhood Political Economy Political Philosophy Politics Power Regulation Tax Trade
    PIG IRON: The Big Bets

    PIG IRON: The Big Bets

    Essays in Dignity and Political Economy. In which we show that International co-operation can happen when Capital wants it to

    July 5, 2026
  • Bureaucracy Capitalism Commodity Commons Community Contradiction Democracy Economics Epistemology Government Markets Political Economy Political Philosophy Politics Populism Power Representation Sortition State
    PIG IRON 10: The Antithesis

    PIG IRON 10: The Antithesis

    Essays in Dignity and Political Economy. In which we set out the objections to our views.

    July 3, 2026
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    Chameleons or Charlatans: Our Conclusion

    Chameleons or Charlatans: Our Conclusion

    Chameleons or Charlatans. The Verdict? Maybe.

    July 3, 2026
  • Aesthetics Albums Culture Exhibition Funk Identity Performance Pop/Rock/Indie Science Fiction Self Soul
    Chameleons or Charlatans: David Bowie

    Chameleons or Charlatans: David Bowie

    David Bowie. Is. David Jones.

    July 1, 2026
  • Agency Authorship Culture Feminism Fiction Literature Novel Science Fiction
    Chameleons or Charlatans: Doris Lessing

    Chameleons or Charlatans: Doris Lessing

    Doris Lessing. I will not. No mythology of genius, no performance of difficulty, no self-destruction.

    June 30, 2026
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