Here is a very brief round-up, (apparently I can drone on a bit so have tried to be disciplined), of the current and forthcoming major theatre and exhibition events in London that have caught my eye (and ear). I have a list of classical concerts which is still good to go for those that way inclined (Some forthcoming classical music concert ideas (with a bit of nostalgia thrown in) and will take a look at the best of the forthcoming seasons at the two major opera houses in another post.
No particular order and not at all obscure. There should be tickets available for all of these but in some cases you may need to get your finger out.
Hope this helps if, unlike me, you are not over endowed with time.
I can vouch for the first four below and the rest are those which I think are likely to be the most likely to turn into “must-sees”.
- Hamlet – Harold Pinter Theatre – June to September 2017
If you think Shakespeare is not for you then think again. Andrew Scott as our eponymous prince could be chatting to you in the pub it is that easy to follow (mind you, you’d think he was a bit of a nutter) and Robert Icke’s direction is revelatory. Plenty of tickets and whilst it’s not cheap they aren’t gouging your eyes out compared to other West End shows. Here’s what I thought.
Hamlet at the Almeida review *****
- The Ferryman – Gielgud Theatre – June to October 2017
This will almost certainly be the best play of 2017 and will be an oft revived classic. It is better than writer Jez Butterworth’s previous masterpiece, Jerusalem. Prices are steep but the Gielgud is a theatre where the cheap seats are tolerable. If you see one play this year make this it.
The Ferryman at the Royal Court Theatre review *****
- Babette’s Feast – Print Room Coronet – to early June 2017
There are a couple of weeks left on this. Probably helps if you know the film or book. I was enchanted though proper reviews less so. Loads of tickets, cheap as chips, not demanding at all, lovely venue.
Babette’s Feast at the Print Room Coronet review ****
- Othello – Wilton’s Music Hall – to early June 2017
Again just a couple of weeks left here. Once again perfect Shakespeare for those who don’t think it is for them. Big Will’s best play and an outstandingly dynamic production. Another atmospheric venue, though I would say get right up close. A bargain for this much class.
Othello at Wilton’s Music Hall review ****
- The Tempest – Barbican Theatre – July and August 2017
This is the RSC transfer from Stratford. Simon Russell Beale, our best stage actor, as Prospero. Some fancy dan technology is employed. Reviews generally positive though you always get sniffiness from broadsheets whenever RSC plays a bit fast and loose with big Will. Not cheap but at least at the Barbican you will be comfy (if you don’t go too cheap).
- Macbeth – Barbican Theatre – 5th to 8th October 2017
More bloody Shakespeare. Literally. On this you are going to have to trust me. Ninagawa is a Japanese theatre company renowned for its revelatory productions. So in Japanese with surtitles. But when these top class international companies come to the Barbican it is usually off the scale awesome. I’ve been waiting years to see them. Enough tickets left at £50 quid a pop but it will sell out I think.
- The Suppliant Women – Young Vic – 13th to 25th November 2017
Reviews when this was shown at Royal Lyceum in Edinburgh were very good. Aeschylus, so one of them Greeks, updated to shed light on the refugee crisis. Maybe not everyone’s cup of tea, and you can probably wait until closer to opening, but I still think this will turn into a must see.
- Ink – Almeida Theatre – June to August 2017
Writer James Graham’s last major outing, This House, about politics in 1970s Britain, was hilarious and insightful. This is based on the early life of Rupert Murdoch so expect a similar skewering. Directed by Almeida’s own Rupert Goold with Bertie Carvel the lead (the sh*t of a husband in that Doctor Foster off the telly). I have very high hopes for this,
- Against – Almeida Theatre – August and September 2017
New play which sounds like it is about some crazy US billionaire taking over the world (I could be hopelessly wrong as Almeida doesn’t tell you much). Written by American wunderkind Chris Shin, directed by master of clarity Ian Rickson, and with Ben Wishaw in the lead. Don’t know how much availability as public booking only opens 25th May, but I would get in quick here and buy blind. Almeida now a lot comfier with the padded seats and still a bargain for what is normally world class theatre.
- Prism – Hampstead Theatre – September and October 2017
New play from the marvellous Terry Johnson who writes brainy comedy Robert Lindsay in the lead role of a retired cinematographer. I have a feeling there will be more to this than meets the eye (!!) and will buy blind on the public booking opening. Usually around £30 a ticket so if it turns into a hit, as Hampstead productions sometimes do, it is a bargain.
- Young Marx – The Bridge Theatre – October to December 2017
So this is the opener from the team at the Bridge which is the first large scale commercial theatre to be opened in London for decades. The genius Nick Hytner directs and the play is written by Richard Bean and Clive Coleman. The last time these three came together out popped One Man, Two Guvnors. Rory Kinnear and Oliver Chris (trust me you will know him off the telly) play the young Marx and Engels in London. Hard to think of a set up that could get me more excited but if any part appeals to you I would book now. There are loads of performances so no urgency but, if they have any sense at all, the seats here will be v. comfy with good views as it is all brand new, so taking a punt on a cheap seat will probably turn out well.
- Julius Caesar – The Bridge Theatre – January to April 2018
Bridge again. Julius Caesar so probably need to know what you are letting yourself in for as solus Roman Shakespeare’s can sometimes frustrate. BUT with David Morrissey, Ben Wishaw, David Calder and Michelle Fairley, it is a super heavyweight cast. Same logic as above – it might be worth booking early and nabbing a cheap seat on the assumption they would be mad not to serve up the best auditorium in London if the venture is to succeed.
- The Retreat – Park Theatre – November 2017
The Park often puts on stuff that sounds way better than it actually turns out to be, but this looks the pick of its forthcoming intriguing bunch. Written by Sam Bain (Peep Show and Fresh Meat) and directed by Kathy Burke. Comedy about a City high flyer who gives it all up but can’t escape the past. If anything is guaranteed to wheel in the North London 40 and 50 somethings then this is it. No cast announcement yet but I bet they rope some comic into the lead.
- The Real Thing – The Rose Theatre Kingston – 2nd to 14th October
A co-production with Theatre Royal Bath and Cambridge Arts Theatre of one of Stoppard’s greatest plays. I really want this to be a cracking revival for my local.
Here is the pick of the forthcoming blockbusters which I hope to get to see. The Jasper Johns and the Cezanne Portraits are the ones I am most excited about.
- Giacometti – Tate Modern – just opened until 10th September 2017
- Pink Floyd: Their Mortal Remains – V and A – until 1st October 2017
- Into the Unknown: A Journey Through Science Fiction – Barbican Art Gallery – from 3rd June 2017
- Grayson Perry: The Most Popular Art Exhibition Ever! – Serpentine Gallery – from 8th June 2017
- Jasper Johns: Something Resembling Truth – Royal Academy – from 23rd September 2017
- Opera: Passion, Power and Politics – V and A – from 30th September 2017
- Cezanne Portraits – National Portrait Gallery – from 26th October 2017
- Monochrome: Painting in Black and White – National Gallery – from 30th October 2017
- Impressionists in London – Tate Britain – from 2nd November 2017
- Red Star Over Russia – Tate Modern – from 8th November 2017
- Modigliani – Tate Modern – from 23rd November 2017