At Home He Feels Like A Tourist

Tag: Lizzie Clachlan

• Classical Music Concert Contemporary Classical Culture England Family London Memory Minimalism Mortality Piano Race Relationship Science Theatre Uncategorized

  Catching up (Part 1)

  February 2020 Yep. You read that right. February 2020. Just before you know what kicked off and the stages went dark. You would have thought that the last 18 months would have given the Tourist plenty of time and inclination to continue reporting on his cultural journey. But no. Despite…

  October 18, 2021
• Beauty Classics Culture Film London Minimalism Myths Opera Paris Poetry

  Orphee at ENO review ***

  Orphee English National Opera, 27th November 2019 The Mask of Orpheus. Extraordinary music, fine singing, showy production. Orpheus and Eurydice. Fine music, mostly, superb singing, faulty production. So how would the Tourist fair in his third encounter with the Orpheus myth in the ENO season. Well since you ask. Best…

  January 20, 2020
• Classical Music Classics Culture Dance London Love Myths Opera

  Orpheus and Eurydice at the ENO review ***

  Orpheus and Eurydice English National Opera, 14th November 2019 The second part of my engagement with the ENO O&E odyssey. (See how easy it easy to be a librettist). Birtwistle’s The Mask of Orpheus first, simultaneously monumental and camp, Philip Glass’s homage to Cocteau’s Orphee to come in a couple…

  December 8, 2019
• Classical Music Contemporary Classical Culture London Myths Opera

  The Mask of Orpheus at the ENO review ****

  The Mask of Orpheus English National Opera, 25th October 2019 No idea where we were in the story for much of the getting on for four hours with with the two intervals. Not helped by Peter Zinovieff’s impenetrable libretto, sung and spoken, the bloated rock star gets lost in early…

  November 27, 2019
• Business Capitalism Culture Edwardian Family Feminism London Power Theatre

  Rutherford and Son at the National Theatre review ****

  Rutherford and Son National Theatre Lyttleton, 16th May 2019 It is not difficult to see what Githa Sowerby’s photo feminist play from 1912, and brought back to life at the Royal Court by feminist theatre company Mrs Worthington’s Daughters in 1980, now has such a secure place in the repertory.…

  June 7, 2019
• Culture London Mental Illness Theatre

  The Son at the Kiln Theatre review ****

  The Son Kiln Theatre, 20th March 2019 After this, The Father, the Mother and The Height of the Storm, there is still a part of me that gets antsy at the work of Gallic wunderkind, Florian Zeller, and his English translator Christopher Hampton. There is something just too clever, too…

  April 8, 2019
• Culture Identity Ireland London Politics Religion Theatre

  Cyprus Avenue at the Royal Court Theatre review ****

  Cyprus Avenue Royal Court Theatre, 4th March 2019 From one black comedy which imagines taboo breaking violence to make a political point (here big as well as small “p”) to another. Having seen the Ladykiller from The Thelmas at the Vault Festival it was off next evening with the SO,…

  March 26, 2019
• Culture London Theatre

  The Prime of Miss Jean Brodie at the Donmar Warehouse review ****

  The Prime of Miss Jean Brodie Donmar Warehouse, 19th July 2018 The SO obviously is a big fan of Muriel Spark’s novel. We are both big fans of Ronald Neame’s film version, (only the other day I revisited this director’s magnificently cheesy The Poseidon Adventure), though let’s face it that…

  August 23, 2018
• Culture London Theatre

  Gloria at the Hampstead Theatre review ****

  Gloria Hampstead Theatre, 4th July 2017 Right. This might actually be a review of, albeit dubious, utility. There are 3 weeks or so left on the run and there are  a fair few tickets left. And this is a fine piece of theatre with an interesting premise, formal innovation, enough…

  July 7, 2017
• Culture London Theatre

  Life of Galileo at the Young Vic review ****

  Life of Galileo Young Vic, 21st June 2017 My Brechtian education continues apace. Who would have thought that until a couple of years ago I hadn’t see any Brecht plays at all and frankly wasn’t that interested having been put off by the great man’s reputation. What a klutz I…

  June 28, 2017