At Home He Feels Like A Tourist

Category: Power

• Acting art Capitalism Classical Music Classics Comedy Concert Contemporary Classical Culture Electronics England Exhibition Feminism Fiction Film Fringe Gender Generations Identity Love Memory Monarchy Monologue Novel Opera Pantomime Photography Politics Poverty Power Race Satire Sexuality Shakespeare Space Theatre Truth War

  Catching up (Part 3)

  April 2020 to December 2020 In which the Tourist condenses down 2020, in and out of lockdown, mostly watching stuff on a screen. Don’t worry he also took walks, saw punters when permitted and growled at the state of his disappointing nation, but it is only now he is back…

  November 5, 2021
• Classical Music Colonialism Comedy Concert Concerto Culture Family Fiction Film Generations Italy Jacobean Literature London Love Manchester Morality Novel Parody Performance Physical Theatre Power Relationship Revenge Satire Technology Theatre Tragedy

  Catching up (Part 2)

  March 2020 First week of March 2020. I see that I was still out and about but I also see that I avoided a few entertainments before the cancellations started in earnest and the first lockdown kicked in. I remember feeling a little nervous but obviously no precautions taken apart…

  October 25, 2021
• Agency Culture Elizabethan England Gender History London Monarchy Patriarchy Power Theatre

  Swive at the Sam Wannamaker Playhouse review ****

  Swive Sam Wannamaker Playhouse, 3rd February 2020 I am very partial to the work of Ella Hickson. Precious Little Talent, Boys, Oil, The Writer, ANNA, all have met their, expansive, ambition. Splendid theatre with something powerful to say. With Swive she has collaborated with director Natalie Abrahami, (who marshalled cast…

  April 17, 2020
• art Bible Culture Drawing Exhibition History Installation Landscaoe London Myths Nature Painting Place Power Prints Sculpture Technology

  Rembrandt’s Light at the Dulwich Picture Gallery (and others) review *****

  Rembrandt’s Light Dulwich Picture Gallery, 17th January 2020 The Tourist has been a bit remiss in keeping up the records on art exhibitions over the last few months so in addition to the above he will offer a few thoughts on other visits. Rembrandt‘s Light first. The DPG exhibition space…

  March 7, 2020
• Culture Justice London Morality Power Sexuality Shakespeare Theatre Vienna

  Measure for Measure at the Barbican Theatre review ****

  Measure for Measure Barbican Theatre, 8th January 2020 I like Measure for Measure. I find the weird cocktail of morality play and satirical “comedy” fascinating. No one comes out of it well, not even the ostensibly virtuous Isabella who goes into bat to save brother Claudio from death, but is…

  February 25, 2020
• Culture Jacobean London Patriarchy Power Theatre Tragedy

  The Duchess of Malfi at the Almeida Theatre ****

  The Duchess of Malfi Almeida Theatre, 2nd Jan 2020 No question Almeida Associate Director Rebecca Frecknall is talented. Her Summer and Smoke, the dreamy Three Sisters here last year and now this. And for those, like the Tourist, who get a little antsy about her intemperate use of de jour…

  February 12, 2020
• Acting Agency Culture Gender London Patriarchy Power Shakespeare Theatre

  The Taming of the Shrew at the Barbican review ***

  The Taming of the Shrew Barbican Theatre, 2nd January 2020 What to do with Taming of the Shrew. Pretend the framing device with Sly deceived by Milord gets you off the hook. Not sure audiences buy that. Mine the text very carefully and add detail through direction which undermines the…

  February 9, 2020
• Culture London Power Race Theatre USA

  Fairview at the Young Vic review ***

  Fairview Young Vic Theatre, 11th December 2019 Fell like a bit of a fraud putting pen to paper on this. For, I confess, I did not completely understand Fairview. African-American playwright Jackie Sibblies Drury won the 2019 Pulitzer Prize for the play. The conceit is ingenious. A birthday dinner for…

  January 30, 2020
• Class Culture Education Institution London Oxbridge Oxford Politics Power Theatre

  Posh at the Rose Kingston review ****

  Posh Rose Theatre Kingston, 15th October 2019 Another play on the wish list. Not that Laura Wade’s Posh hasn’t had regular outing since it first appeared at the Royal Court in 2010. And, memorably it was made into a film The Riot Club, in 2014 directed by Danish director Lone…

  November 21, 2019
• Culture Family Ireland London Love Patriarchy Place Poetry Power Theatre Tragedy Uncategorized

  Blood Wedding at the Young Vic review ****

  Blood Wedding Young Vic, 11th October 2019 I got a bit nervous going into this. For those who don’t know, South African director Yael Farber has a certain style, an aesthetic, and approach to interpretation of classic plays, which isn’t too everyone’s taste. For me it works. Mies Julie, Knives…

  November 19, 2019