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At Home He Feels Like A Tourist

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  • Capitalism Culture London Property Theatre

    Valued Friends at the Rose Theatre Kingston ***

    Valued Friends Rose Theatre Kingston, 8th October 2019 I am all for revivals of modern plays that have something to say to us right now. Assuming the play was good enough in the first place. And that the director and creative team have a clear idea of how they craft…

    November 17, 2019
  • Agency Community Culture Economics Institution London Politics Theatre

    Faith, Hope and Charity at the National Theatre review ****

    Faith, Hope and Charity National Theatre Dorfman, 8th October 2019 I didn’t catch the first two plays in Alexander Zeldin’s trilogy, Beyond Caring (zero hours contracts) and Love (a homeless hostel), about life for the disadvantaged in modern Britain. In fact worse that that I didn’t even know about them.…

    November 17, 2019
  • Amsterdam Culture Europe History Identity London Memory Netherlands Theatre Truth

    Amsterdam at the Orange Tree Theatre review ***

    Amsterdam Orange Tree Theatre, 5th October 2019 The UK premiere of Israeli playwright Maya Arad Yasur’s “strikingly original, audacious thriller”. Hmm. Striking yes. Original. I guess so. Audacious thriller. Not so sure. It is a fascinating story with a powerful message but its formal construction serves to distract and obfuscate…

    November 15, 2019
  • Classical Music Culture Enlightenment London Opera

    Seraglio at the Hackney Empire review ****

    Seraglio Hackney Empire, 4th October 2019 Or to give it its full name Die Entfuhrung aus dem Serail or The Abduction from the Seraglio. Here though Seraglio, not just to reflect the fact that this English Touring Opera production is sung, (and spoken), in English following a colloquial translation by…

    November 15, 2019
  • Culture Family London Race Theatre USA

    Appropriate at the Donmar Warehouse review *****

    Appropriate Donmar Warehouse, 3rd October 2019 After deconstructing a Victorian melodrama in An Octoroon and satirising modern tragedy in Gloria, London now gets to see Branden Jacobs-Jenkins’s 2013 take on the dysfunctional American family drama. Only this time the secret which lies at the heart of the Lafayette family is…

    November 13, 2019
  • Baroque Contemporary Classical Culture Georgian Ireland London Opera

    The Intelligence Park at the Linbury Theatre review ***

    The Intelligence Park Linbury Theatre Royal Opera House, 2nd October 2019 I have no-one else to blame for this. Having now heard a smattering of his larger scale works thanks in large part to Thomas Ades’s advocacy in his Beethoven cycle with the Britten Sinfonia, having invested in a CD…

    November 13, 2019
  • Culture France London Politics Power Theatre USA

    Two Ladies at the Bridge Theatre review *

    Two Ladies Bridge Theatre, 2nd October 2019 Well on the plus side the new season just announced at the Bridge looks to be a humdinger. A revival of Caryl Churchill’s A Number, directed by Polly Findlay with Roger Allam and Colin Morgan as Salter and son(s), Nick Hytner taking on…

    November 13, 2019
  • Adventure Culture Fantasy Identity London Myths Theatre

    Peer Gynt at the National Theatre review ****

    Peer Gynt National Theatre Olivier, 1st October 2019 I know what I need. A bit more Ibsen. There are reasons why theatre-makers keep returning to the master and the slew of high profile productions in London this year alone is a reminder of why. I would probably plump for Ian…

    November 12, 2019
  • Culture London Myths Theatre

    Glass. Kill. Bluebeard. Imp. review at the Royal Court Theatre *****

    Glass. Kill. Bluebeard. Imp. Royal Court Theatre, 30th September 2019 Caryl Churchill is the greatest English language living playwright and, IMHO, the greatest playwright since Shakespeare. Now I know that many of you would disagree, and that the vast majority of people on the planet couldn’t give a f*ck, but…

    November 8, 2019
  • Acting Culture History Horror Morality Power Theatre Uganda

    The Last King of Scotland at the Sheffield Crucible review *****

    The Last King of Scotland Crucible Sheffield, 28th September 2019 The Tourist generally agrees with all those smart people paid to review theatrical productions. That is a) because they now what they are doing, they are experts with experience and should be listened to, rather than some halfwit with his/her…

    November 7, 2019
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