Alexander Melnikov (piano), Latvian Radio Choir, Sigvards Klava
Proms Chamber Music No 5, Cadogan Hall, 14th August 2017
- Dimitri Shostakovich – Preludes and Fugues Op 87 – Nos 1, 2, 3, 4, 7. 8
- Dimitri Shostakovich – Ten Poems on Texts by Revolutionary Poets, Op 88 – Nos 5,6,7,8,9
Previous posts will have revealed my passion for Shostakovich’s music despite, or maybe because of, its sometimes disturbing crassness. So what better way than this to spend a birthday. Off I toddled for this lunchtime chamber Prom of which there have been a few this year at Cadogan Hall. An excellent innovation. Oh, and before I get down to business, don’t worry birthday boy’s day turned more social thanks to a welcome surprise from the SO, BD and LD.
Now these pieces are interesting because of their chronology, in the middle of his oeuvre, but still in the uncertain (for DSCH) period before Stalin popped his clogs, and also because of their form. The Ten Poems are a capella for choir, though DSCH makes sure there are proper tunes to be heard, which is a form he used sparingly. He also produced some other weighty piano compositions, notably the Op 34 Preludes and the Sonata No 2 Op 61, but the rest of the piano works are more lightweight (though still interesting). The Op 87 Preludes and Fugues are a full blooded exploration of the piano’s range across 3 hours or so. The recorded version I have is by dedicatee Tatiana Nikolayeva and is an old favourite. Alexander Melnikov’s recording is judged by some as better so I was looking forward to this.
Since the Ten Poems on Texts by Revolutionary Poets are exactly that it is tricky to cast around for the usual DSCH subtext here. These poems are straight up and down descriptions of the suffering of the people at the hands of the Tsarist authorities at the time of the first failed 1905 Revolution. Similarly the structured format of the Preludes and Fugues also precludes too much navel gazing about the “meaning” of the works. So we can just concentrate on the sounds. Now I don’t know the Poem settings as well as I should but this seemed to me a very well crafted performance by the Latvian Radio Choir under director Sigvards Klava (who had been in town primarily to deliver a Rachmaninov Vespers the night before). The five settings on show only run to a few minutes each and the syllabical structures are very straightforward but the delivery was as crisp as you like and sung across the board with real fervour. The programme notes a similarity to Mussorgsky’s operatic choruses: I get it.
However Mr Melnikov was even more convincing. The six Preludes and Fugues he played were very convincing and performed with real authority. In particular those Fugues with fortissimo passages really struck home. I was dead impressed. I think this work is somewhere near the top of the best piano music ever written. I reckon Mr Melnikov agrees. Time to add his version to the collection.
Happy birthday to me then.