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  • Culture Fiction Horror London Theatre

    The Tell-Tale Heart at the National Theatre review ***

    The Tell-Tale Heart National Theatre Dorfman, 21st December 2018 No panto for the Tourist and family. This year’s entertainment was to be Anthony Neilson’s adaptation of the (in)famous Edgar Allan Poe short story about a writer who, let us say, loses a little bit of perspective. Some concern from our…

    January 7, 2019
  • art Culture Exhibition Hayward Gallery Installation London Minimalism Sculpture Space Shifters Technology

    Space Shifters exhibition at the Hayward Gallery ***

    Space Shifters Hayward Gallery, 21st December 2018 Here is another one of the cleverly constructed exhibitions from the Hayward team which brings together a variety of visual works (20 in total), in different media, from different artists which delight, intrigue and entertain. The works span some five decades, (with some…

    January 4, 2019
  • Baroque Classical Music Concert Culture Georgian London Oratorio

    Handel’s Messiah at the Barbican review ****

    Britten Sinfonia, Britten Sinfonia Voices Handel’s Messiah, Barbican Hall, 19th December 2018 Jacqueline Shave (violin/director), Sophie Bevan (soprano), Iestyn Davies (countertenor), Allen Clayton (tenor), Roderick Williams (baritone) Christmas on the way. Full house at the Barbican. MSBD as wingman. Messiah. A quartet of outstanding soloists. The Britten Sinfonia Voices. The…

    January 3, 2019
  • Comedy Culture London Shakespeare Theatre

    The Merry Wives of Windsor at the Barbican Theatre review *****

    The Merry Wives of Windsor RSC, Barbican Theatre, 13th December 2018 Confession. This was the first time I had ever seen a production of The Merry Wives of Windsor. The Tourist can’t remember there being an opportunity, RSC or otherwise, in those few periods of his intensive theatre-going in the…

    January 1, 2019
  • Classics Culture Egypt History London Rome Shakespeare Theatre

    Antony and Cleopatra at the National Theatre review ****

    Antony and Cleopatra National Theatre Olivier, 11th December 2018 Simon Godwin is a director who has shown he has a bit of a way with the sprawling masterpieces in the dramatic canon in recent years. Especially from the Bard. His recently opened Timon of Athens at the RSC, albeit with…

    December 30, 2018
  • Classical Music Concert Contemporary Classical Culture Italy Literature London Structuralism

    The Swingling Sixties: the LPO at the Royal Festival Hall review *****

    London Philharmonic Orchestra, Vladimir Jurowski, The Swingles, London Philharmonic Choir Royal Festival Hall, 8th December 2018 Elizabeth Atherton – soprano Maria Ostroukhova – mezzo-soprano Sam Furness – tenor Joel Williams – tenor Theodore Platt – baritone Joshua Bloom – bass Stravinsky – Variations (Aldous Huxley in Memoriam) Stravinsky – Threni…

    December 28, 2018
  • Comedy Culture London Memory Theatre

    Pinter at the Pinter 4 review ****

    Pinter at the Pinter Four: Moonlight and Night School Harold Pinter Theatre, 6th December 2018 The Tourist is a bit off the pace what with that the holiday celebrations to enjoy/get through (delete as appropriate). Still three more of the Pinter one act plays season to look forward too as…

    December 27, 2018
  • Albums Baroque Church Classical Music Concert Culture Early Music Italy London

    English Chamber Orchestra: Vivaldi at Cadogan Hall review ****

    English Chamber Orchestra, Choir of the C21 Cadogan Hall, 2nd December 2018 Raphaela Papadakis (soprano), Lotte Betts-Dean (mezzo-soprano), Stephanie Gonley (violin), Caroline Dale (cello), Harry Winstanley (flute), Michael Collins (conductor) Antonio Vivaldi Gloria in D RV 589 Concerto for Violin in F minor, ‘Winter’ from The Four Seasons, Op 8…

    December 24, 2018
  • Business Culture London Theatre

    Dealing With Clair at the Orange Tree Theatre review ***

    Dealing With Clair Orange Tree Theatre, 30th November 2019 The Orange Tree, along with the Royal Court, must presumably be one of Martin Crimp’s favourite theatres. Whilst he has primarily been engaged with writing libretti for George Benjamin’s excellent trio of operas in recent years, Into the Little Hill, Written…

    December 24, 2018
  • Baroque Classical Music Concert Contemporary Classical Culture London Minimalism

    Glass and Reich: LSO at the Barbican review ***

    Divine Geometry: London Symphony Orchestra, Kristjan Jarvi, Simone Dinnerstein (piano) Barbican Hall, 29th November 2018 Charles Coleman – Drenched Charles Coleman – Bach Inspired Philip Glass – Piano Concerto No 3 Kristjan Jarvi – Too Hot to Handel Steve Reich – Music for Ensemble and Orchestra Funny one this. As…

    December 23, 2018
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