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  • Culture Family London Race Theatre USA

    Appropriate at the Donmar Warehouse review *****

    Appropriate Donmar Warehouse, 3rd October 2019 After deconstructing a Victorian melodrama in An Octoroon and satirising modern tragedy in Gloria, London now gets to see Branden Jacobs-Jenkins’s 2013 take on the dysfunctional American family drama. Only this time the secret which lies at the heart of the Lafayette family is…

    November 13, 2019
  • Baroque Contemporary Classical Culture Georgian Ireland London Opera

    The Intelligence Park at the Linbury Theatre review ***

    The Intelligence Park Linbury Theatre Royal Opera House, 2nd October 2019 I have no-one else to blame for this. Having now heard a smattering of his larger scale works thanks in large part to Thomas Ades’s advocacy in his Beethoven cycle with the Britten Sinfonia, having invested in a CD…

    November 13, 2019
  • Culture France London Politics Power Theatre USA

    Two Ladies at the Bridge Theatre review *

    Two Ladies Bridge Theatre, 2nd October 2019 Well on the plus side the new season just announced at the Bridge looks to be a humdinger. A revival of Caryl Churchill’s A Number, directed by Polly Findlay with Roger Allam and Colin Morgan as Salter and son(s), Nick Hytner taking on…

    November 13, 2019
  • Adventure Culture Fantasy Identity London Myths Theatre

    Peer Gynt at the National Theatre review ****

    Peer Gynt National Theatre Olivier, 1st October 2019 I know what I need. A bit more Ibsen. There are reasons why theatre-makers keep returning to the master and the slew of high profile productions in London this year alone is a reminder of why. I would probably plump for Ian…

    November 12, 2019
  • Culture London Myths Theatre

    Glass. Kill. Bluebeard. Imp. review at the Royal Court Theatre *****

    Glass. Kill. Bluebeard. Imp. Royal Court Theatre, 30th September 2019 Caryl Churchill is the greatest English language living playwright and, IMHO, the greatest playwright since Shakespeare. Now I know that many of you would disagree, and that the vast majority of people on the planet couldn’t give a f*ck, but…

    November 8, 2019
  • Acting Culture History Horror Morality Power Theatre Uganda

    The Last King of Scotland at the Sheffield Crucible review *****

    The Last King of Scotland Crucible Sheffield, 28th September 2019 The Tourist generally agrees with all those smart people paid to review theatrical productions. That is a) because they now what they are doing, they are experts with experience and should be listened to, rather than some halfwit with his/her…

    November 7, 2019
  • Capitalism Community Culture Environment Morality Norway Nottingham Politics Theatre

    An Enemy of the People at the Nottingham Playhouse review ****

    An Enemy of the People Nottingham Playhouse, 28th September 2019 Another day, another Ibsen update. After Tanika Gupta’s intelligent relocation of A Doll’s House to colonial India and Cordelia Lynn’s not quite so successful ageing of Hedda Gabler, the Tourist’s next stop was Rebecca Lenkiewicz’s transformation of Henrik’s prototype eco-warrior…

    November 4, 2019
  • Culture Family Feminism London Relationship Theatre

    Hedda Tesman at the Minerva Theatre Chichester review ***

    Hedda Tesman Minerva Theatre Chichester, 26th September 2019 This counts as a disappointment. Not because of the source material. Hedda Gabler for goodness sake. Nor the cast though I will come back to this. There were plenty of actors on show, Haydn Gwynne, Anthony Calf, Jonathan Hyde, Natalie Simpson and…

    November 3, 2019
  • Acting Crime Culture Family London Theatre

    Mother of Him at the Park Theatre ****

    Mother of Him Park Theatre, 19th September 2019 I confess that the main motivation for seeing Mother of Him was Tracy-Ann Oberman. You will probably know her from her many, and varied, TV roles but she is also a feted stage actor. However until now I had only seen her…

    November 1, 2019
  • Colonialism Culture Feminism India London Power Theatre

    A Doll’s House at the Lyric Hammersmith review *****

    A Doll’s House Lyric Hammersmith, 18th September 2019 You can never have too much Nora. After Samuel Adamson’s gender fluid Wife at the Kiln, and this adaptation from Tanika Gupta set in colonial India, the Tourist has the 3 for the price of 1, Glasgow Citizens, radical re-working from Steff…

    October 29, 2019
  • Capitalism China Culture Epidemic Exploitation History London Medicine Morality Science Theatre

    The King of Hell’s Palace at the Hampstead Theatre review ***

    The King of Hell’s Palace Hampstead Theatre, 17th September 2019 This was an interesting choice as the first production in Roxana Silbert’s inaugural season at the Hampstead Theatre. A play based on a true story about corruption scandal in China. From a US playwright, (who spent part of her childhood…

    October 27, 2019
  • Acting Culture Film London Mexico Relationship Religion Theatre

    The Night of the Iguana at the Noel Coward Theatre review ***

    The Night of the Iguana Noel Coward Theatre, 16th September 2019 Last minute purchase. Just about worthwhile. The Night of the Iguana is not normally considered one of Tennessee William’s greatest hits, and I am certainly no TW completist, but the cast, the director, James Macdonald, the designer, Rae Smith,…

    October 25, 2019
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