At Home He Feels Like A Tourist

Category: Oratorio

• Choral Classical Music Concert Concerto Culture London Oratorio

  Christ on the Mount of Olives: LSO at the Barbican review ****

  London Symphony Orchestra, Sir Simon Rattle (conductor), Lisa Batiashvili (violin), Elsa Dreisig (soprano), Pavol Breslik (tenor), David Soar (bass), London Symphony Chorus, Simon Halsey (chorus director) Barbican Hall, 19th January 2020 Berg – Violin Concerto Beethoven – Christ on the Mount of Olives, Op 85 After a somewhat disappointing take…

  March 9, 2020
• Baroque Choral Christmas Classical Music Concert Culture London Oratorio

  Freiburg Baroque Orchestra at the Barbican Hall review ****

  Freiburg Baroque Orchestra, Trevor Pinnock (director), Rachel Redmond (soprano), Claudia Huckle (alto), James Way (tenor), Ashley Riches (bass), Zürcher Sing-Akademie Barbican Hall, 11th December 2019 The Tourist’s annual Messiah. Almost Billy No Mates. But eventually MSBDB1 stepped into the breach. For which many thanks as Messiah is best shared. Now…

  January 30, 2020
• Concert Contemporary Classical Culture Gigs History Industry London Minimalism Oratorio Pop/Rock/Indie Technology USA

  Julia Wolfe’s Anthracite Fields at King’s Place review *****

  Bang on a Can All Stars, BBC Singers, Tecwyn Evans (conductor) Kings Place Hall One, 19th January 2019 I had heard a few snippets of Julia Wolfe’s compositions but freely admit this was a bit of a leap into the unknown. Still what I had heard seemed interesting, I was keen…

  January 29, 2019
• Baroque Classical Music Concert Culture Georgian London Oratorio

  Handel’s Messiah at the Barbican review ****

  Britten Sinfonia, Britten Sinfonia Voices Handel’s Messiah, Barbican Hall, 19th December 2018 Jacqueline Shave (violin/director), Sophie Bevan (soprano), Iestyn Davies (countertenor), Allen Clayton (tenor), Roderick Williams (baritone) Christmas on the way. Full house at the Barbican. MSBD as wingman. Messiah. A quartet of outstanding soloists. The Britten Sinfonia Voices. The…

  January 3, 2019