• Victory Condition at the Royal Court Theatre review **

    Victory Condition Royal Court Theatre, 12th October 2017 Apparently the writer of Victory Condition, Chris Thorpe, likes to experiment with the dramatic form. I haven’t seen Confirmation, a one man work in which he also took the lead as a white supremacist, which apparently prodded and provoked its audience. It sounds uncomfortable but fascinating. In…

  • B at the Royal Court Theatre review ***

    B Royal Court Theatre, 12th October 2017 I wasn’t entirely sure what to see from the plays on offer in this latest season at the Royal Court. I don’t know enough about the writers and the teasers on the website are exactly that, teasers. Seeing too many is an extravagance, but waiting for reviews risks…

  • The Real Thing at the Rose Theatre Kingston review ****

    The Real Thing Rose Theatre Kingston, 10th October 2017 Thinking cap donned it’s a short hop to the Rose for the next leg in my Stoppard education. And what a fine lesson this production, (shared with the Theatre Royal Bath and Cambridge Arts Theatre), tuned out to be. Once director Stephen Unwin, (a great friend…

  • Giulio Cesare opera at Hackney Empire review ***

    Giulio Cesare in Egitto, Parts 1 and 2 Hackney Empire, 7th October 2017 The more opera I see, the less I want to see. Yet this does not mean I don’t enjoy opera: on the contrary, when it works, it can match the best that theatre can offer in terms of transcendent entertainment. The problem…

  • The Seagull at the Lyric Hammersmith review ***

    The Seagull Lyric Hammersmith, 9th October 2017 Right where I come from seagulls are a bloody menace. There are times when I feel the same way about Chekhov. You sit there thinking all his people are self-indulgent, lovelorn whingers who just need to lighten up and get a grip. But slowly, or more rapidly if…

  • Ninagawa’s Macbeth at the Barbican Theatre review ****

    Macbeth Barbican Theatre, 8th October 2017 When I was a young’un, come to make my fortune in the Big Smoke, I was lucky enough to secure free or cut price tickets to productions at the Barbican and NT. But then, as now, I am afraid I was more “Dick” than “W(h)it”-tington, (how laboured was that),…

  • My Name is Rachel Corrie at the Young Vic review ****

    My Name is Rachel Corrie Young Vic, 6th October 2017 I have raved about actor Erin Doherty in the past. She was the lynchpin in the excellent ensemble for Jack Thorne’s Junkyard (Junkyard at the Rose Theatre review *****), and was unbearably poignant in Katherine Soper’s excellent debut play Wish List. I gather from the…

  • Soul of a Nation exhibition at Tate Modern ****

    Soul of a Nation: Art in the Age of Black Power Tate Modern, 5th October 2017 I seem to have taken an age to get around to seeing Tate’s survey of African American Art through the vital twenty year period from 1963. There are a couple of weeks left to see it however should it…

  • Angel at the Arcola Theatre review ****

    Angel Arcola Theatre, 4th October 2017 I had been hoping to get an opportunity to see Angel after reading a review of the premiere at the Edinburgh Festival last year. I had read of the very sad death of the actor, Filipa Branganca, who had played the role of the eponymous Angel of Kobane, Rehana…

  • After the Rehearsal at the Barbican Theatre review ***

    After the Rehearsal Barbican Theatre, 28th September 2017 So what was this going to be? Another flawed, portentous (pretentious?), langourous stroll through a story which might better have been left in its original format, like Obsession here at the Barbican earlier this year in the Toneelgroep Amsterdam Residency? Or a searing, metaphysical psychodrama in the…

At Home He Feels Like A Tourist