Richmond Theatre, 15th April 2017
So in the interests of full disclosure Arthur Miller’s Crucible is one of my favourite plays. I know it is not original, I know that it is not historically accurate (doh, it is a play, it doesn’t have to be), I know it is, like most of his work, slyly misogynistic (though here that may reflect the society in which it is set), I know it has all the subtlety of a wrecking ball. But it is powerful allegory, it does illuminate the dangers of groupthink, scapegoating and the politics of hate, both in 1950’s America, and, probably whenever and wherever it has been revived, and it is a cracking story. So yah boo to you Miller haters.
So what does a good Crucible need? Well it does need space and time to get to the boil. In this production it felt like the fear of dragging on too much got to director and cast which meant for a bit of a breathless first act. Motives and jealousies need to be teased out and here there was a bit too much urgency to get through the lines. It also needs to create strong sexual attraction between Abigail and John P but still capture as much ambiguity in action as it can. It needs a constant and deep affection between John and Elizabeth P but there is still a lot wrong in this marriage. Largely I think the three actors playing Abigail (Lucy Keirl), Elizabeth (Victoria Yeates) and John (Eion Slattery) got this right. It needs a Reverend Parris (played by Cornelius Clarke) whose devotion to God and Mammon comes as a package, a Reverend Hale who ends up having his whole world view upended and a Judge Hathorne whose cognitive dissonance at the outcome of his prosecuting is plainly visible but who will not relent. Charlie Condou as Reverend Hale turned in a fine performance whilst Patrick Mackenzie as Hathorne was just a little less convincing.
Overall though this was a strong production. The set was a bit prosaic and greater use of light and sound might have offered a little more dramatic support but this is a great play that was done justice here. I gather this will tour to Brighton, Manchester, Birmingham and Glasgow so if it comes nearby definitely worth a look.
LS, whose business literally is drama, and LN, who tells it like it is, sometimes disconcertingly, enjoyed it. And perhaps even more enjoyed an impromptu meeting with our two Reverends and our John Proctor, as they wolfed down a pizza between matinee and evening performance, in the restaurant to which we had retired. As good a way as any to break the fourth wall I guess.