At Home He Feels Like A Tourist

Category: London

  • Curtains at the Rose Theatre Kingston review ****

    Curtains Rose Theatre Kingston, 1st March 2018 Stage comedies don’t always stand the test of time too well. Comedy is elusive enough in the first place and may often be more rooted than tragedy to specific times, places or events. Comedic fashion chops and changes and what is acceptable shifts…

  • Julius Caesar at the Bridge Theatre *****

    Julius Caesar Bridge Theatre, 28th February 2018 I had really, really been looking forward to this. Julius Caesar is one of my favourite Shakespeare plays. Contemporary relevance of course, but Shakespeare always has relevance. My appetite whetted by the excellent RSC production I saw at the Barbican last month, (Julius…

  • Satyagraha at English National Opera review ***

    Satyagraha English National Opera, 27th February 2018 Finally I have got to see all three of Philip Glass’s seminal operas, Einstein on the Beach (the science-y one), Akhnaten (the religious one) and now this Satyagraha (the political one). Einstein on the Beach was a recreation of the original Robert Wilson…

  • Picnic at Hanging Rock at the Barbican Theatre review ***

    Picnic at Hanging Rock Barbican Theatre, 24th February 2018 Picnic at Hanging Rock is an Australian cultural icon. Joan Lindsay’s novel, published in 1967 and Peter Weir’s 1975 film, (and all manner of subsequent examinations, interpretations and meditations), is a metaphor which gets to the very heart of the making…

  • Mortal Voices: Academy of Ancient Music at Milton Court review ****

    Academy of Ancient Music, Christian Curnyn (director and harpsichord), Keri Fuge (soprano), Tim Mead (counter-tenor) Milton Court Concert Hall, 15th February 2018 Corelli – Concerto grosso Op 6 No 1 in D major Handel – Cantata HWV 230 “Ah! Che troppo inequali” Handel – Cantata HWV 82 “Il Duello Amoroso”…

  • Gundog at the Royal Court Theatre review ***

    Gundog Royal Court Jerwood Theatre Upstairs, 15th February 2018 Always a tricky business knowing what to pick out when booking in advance for productions at the Royal Court. Obviously if it is a big name playwright, or someone with previous form, probably best to get in there sharpish and buy…

  • SCO Winds at Wigmore Hall review ****

    Scottish Chamber Orchestra Wind Soloists Wigmore Hall, 12th February 2018 Beethoven – Sextet in E flat, Op 71 Poulenc – Sonata for clarinet and bassoon Beethoven – Octet in E flat, Op 103 A rare opportunity for completists to hear performances of Beethoven’s Sextet and Octet written for wind instruments.…

  • Colder Than Here at Guildhall School Milton Court Studio review *****

    Colder Than Here Milton Court Studio, 13th February 2018 Another visit to see the final year actors at the Guildhall School take on a fascinating contemporary play. Another excellent production laced with outstanding performances. Even better than the production of Edward Bond’s Saved, (Saved at Guildhall School Milton Court Studio…

  • Saved at Guildhall School Milton Court Studio review ****

    Saved Milton Court Studio, 10th February 2018 Now one of the manifold pleasures of being a layabout theatre addict is the ability to pitch up midweek to one of the invariably excellent performances served up by the students at London’s prestigious drama schools. Outstanding talent, likely to go on to…

  • Stravinsky from the LPO at the Royal Festival Hall review ****

    London Philharmonic Orchestra, Vladimir Jurowski, Alexander Ghindin (piano) Royal Festival Hall, 7th February 2018 Igor Stravinsky – Scherzo fantastique, Op 3 Igor Stravinsky – Funeral Song, Op 5 Nikolai Rimsky-Korsakov – Piano Concerto in C sharp minor, Op 30 Igor Stravinsky – The Firebird (original version) My favourite concert of…