At Home He Feels Like A Tourist

Category: London

• Classical Music Concert Contemporary Classical Culture London

  Ligeti in Wonderland at the South Bank review *****

  Ligeti in Wonderland Queen Elizabeth Hall and Purcell Room, 11th, 12th and 13th May 2018 Pierre–Laurent Aimard (piano), Tamara Stefanovich (piano), Patricia Kopatchinskaja (violin), Marie-Luise Neunecker (horn), Daniel Ciampollini (percussion) Ligeti – Poeme symphonique for 100 metronomes, Ligeti – 3 pieces for 2 pianos (Monument, Selbstportrat, Bewegubg), Ligeti – Trio…

  May 23, 2018
• Culture London Theatre

  DNA and The Fall: National Youth Theatre at the Southwark Playhouse review *****

  DNA, The Fall – National Youth Theatre Southwark Playhouse, 11th May and 14th May 2018 Let’s imagine you want to go to the theatre. To see a proper play. Let’s take the revival of Red for example at the Wyndham’s. 90 minutes straight through so not too taxing. Big name…

  May 21, 2018
• Culture London Theatre

  Nightfall at the Bridge Theatre review ***

  Nightfall The Bridge Theatre, 10th May 2018 If you haven’t been yet the Bridge Theatre offers up London’s best large scale flexible space. And very nice toilets. You’ve probably know that if you have any interest in things theatrical. You will also have probably have read that the space, and…

  May 19, 2018
• Culture London Theatre

  The Writer at the Almeida Theatre review *****

  The Writer Almeida Theatre, 9th May 2018 The Writer is …. an absolutely staggering piece of …. writing. No other way to say it. I’d wager there were a few punters in the audience that disagree with me but I think Ella Hickson, along with director Blanche McIntyre and the…

  May 19, 2018
• Culture London Theatre

  Not Talking at the Arcola Theatre review ****

  Not Talking Arcola Theatre, 5th May 2018 Not Talking is, in his own words, Mike Bartlett’s first “proper” play. It won prizes when first aired on BBC Radio, (with Richard Briers and June Whitfield no less), but it was written for the stage and, here. courtesy of production company Defibrillator,…

  May 14, 2018
• Concert Contemporary Classical Culture London

  Icebreaker at Kings Place review ****

  Icebreaker: Velocity Kings Place, 5th May 2018 Anna Meredith – Nautilus Michael Gordon – Yo Shakespeare Paul Whitty – nature is a language – can’t you read? David Lang – Slow Movement Louis Andriessen – De snelheid (‘Velocity’) Boundaries. And their close, and troublesome cousins, borders. The bane of human…

  May 11, 2018
• Culture London Theatre

  Our Country’s Good at Theatre Royal Stratford review ****

  Our Country’s Good Theatre Royal Stratford East, 28th April 2018 Timberlake Wertenbaker’s Our Country’s Good is one of my favourite plays. As it is for many theatre-goers. The context, the “First Fleet” of British convicts sent to Australia with their Royal Marine guards in the 1780s, and the setting, Sydney…

  May 8, 2018
• Classical Music Concert Culture London

  Gustavo Dudamel and the Los Angeles Philharmonic Orchestra at the Barbican review ***/***

  Los Angeles Philharmonic Orchestra, Gustavo Dudamel (conductor) Barbican Hall, 2nd May and 4th May 2018 Esa-Pekka Salonen – Pollux Edgar Varese – Ameriques Shostakovich – Symphony No 5 Beethoven – Symphony No 9 “Choral” Canny students of architecture will realise that the pic above is not of the Barbican. The…

  May 7, 2018
• Classical Music Concert Culture London

  Shostakovich from the Philharmonia and Ashkenazy review ****

  Philharmonia Orchestra, Vladimir Ashkenazy (conductor), James Ehnes (violin) Royal Festival Hall, 29th April 2018 Dmitri Shostakovich Violin Concerto no. 1 in A minor, Op.77 Symphony no. 4 in C minor, Op.43 Apparently Vladimir Ashkenazy was at the premiere of the Fourth Symphony. In 1961, in Moscow, 25 years after it…

  May 7, 2018
• Culture London Theatre

  Nine Night at the National Theatre review *****

  Nine Night National Theatre Dorfman, 3rd May 2018 You never quite know what you are going to get at the National Theatre. Mind you the Dorfman has turned into a pretty safe bet. After a painful 90 minutes, (it seemed much longer), sitting through the first half of Absolute Hell…

  May 6, 2018