On Bear Ridge
Royal Court Theatre, 21st November 2019
Knockout premise. Some splendid dialogue. Beguiling, complex characters. Inspired design courtesy of Cai Dyfans. Supported by the lighting of Elliot Griggs and sound of Mike Beer, And engaging performances from the outstanding Welsh cast of Rhys Ifans, Rakie Ayola (the first time I had seen her on stage), Sion Daniel Young and Jason Hughes.
So what was it that left me a little underwhelmed by Ed Thomas’s latest play On Bear Ridge, transferring to the RC after opening at Cardiff’s Sherman. I guess it was the age old problem of development and resolution. Having taken so much care to set up a potent setting, (not always the case when it comes to the theatrical post-apocalyptic), and to flesh out generous back stories for devoted couple, irascible butcher John Daniel and calming wife Noni, their slaughterman apprentice Ifan William (Sion Daniel Young) and the Captain, an exhausted, deserting soldier (Jason Hughes), the narrative seems to runs out of steam, even as the, often startling poetry, accumulates. This is a play about nostalgia, memory, loss and glottophagy (look it up), as the couple, holed up in their dilapidated Welsh mountain home, feel the past, and the wider world, slip away from them. Lists of meat cuts, old customers, even John Daniel’s trousers are seized on to fix their history. they reference a dying “Old Language”. It soon becomes clear though that what really holds them together, and Ifan William, is the love of Twm Siencyn, their son and his best friend/lover.
It is not a long play, just over 80 minutes, and, to be fair. never drags, but I wonder if Ed Thomas could not have been more incisive with his text. The Beckettian dialogue he spins is incisive and immersive, earthy and lyrical, fluently invoking time, place and character, but in the absence of evolution in the plot meant this might have worked better at under an hour. No shame in brevity when your facility with language is so adept, though ET has spent most of the last two decades writing for the small screen. Mr Thomas shared direction with RC head honcho Vicky Featherstone so I might reasonably assume that over-writing, not execution, was the cause of my slight misgivings.
I see the Sherman is set to stage another Welsh post apocalypse saga in the form of and adaptation Manon Steffan Ros’ novel Llyfr Glas Nebo. And JJoe Murphy, the incoming AD, is set to direct a new adaptation of An Enemy of the People, from Brad Birch (another doyen of the theatrical Welsh mountain sub-genre with Black Mountain), set in South Wales.